Morna
| Subclass of | music of Cape Verde  |
|---|---|
| Indigenous to | Oslo |
| Country of origin | Cape Verde, Norway |
| Intangible cultural heritage status | Representative List of the Intangible Cultural Heritage of Humanity, Immateriell kulturarv |
| Described at URL | https://ich.unesco.org/en/RL/01469, https://ich.unesco.org/fr/RL/01469, https://ich.unesco.org/es/RL/01469 |
A morna (boɔloo e Portuguese ane Cape Verdean Creole: [ˈmɔɾnɐ]) O e la seɛre ne yiele deɛne naŋ yi Cape Verde.
A yiele yelbie e la Cape Verdean Creole, ane ŋmeɛbo naŋ e cavaquinho, clarinet, accordion, violin, piano ane guitar.
Morna e la yiele a Cape Verde teŋɛ deme zanaŋ sagedi ka o soma la ,aseŋ fado Portugal poɔ, a tango meŋ e Argentina deme , a merengue meŋ la Dominican Republic deme , rumba naŋ e Cuba yiele , ane amine .
A tendaa zaa morna yielyieli karaa da la Cesária Évora. Morna ane Cape Verdean yiele parɛɛ mine meŋ da be la tatenne mine ba naŋ da yɔ gaa te kpeɛrɛ , zuo a zaa New England naŋ be US poɔ, Portugal, a Netherlands, France, West Africa ane Latin America paaloŋ mine .
Lɛ a baŋ tutaa[maaleŋ | Maale eŋ yizie]
A waaloŋ zaa , a morna saegra la parɛɛ anuu . A tutaaloŋ maŋ piili la bonyieni , ka a ayi sobɔ tu , a ata sobɔ ne a yeni zaa maŋ yietaa . A chords — tonike — taa la a Cape Verde yuori kaŋa baŋ yi gaa tɔɔre “primeira”, “segunda” ane “terceira” (yeni , ayi ane ata ) naŋ tutaa a lɛ nɛnɛnɛ . Aseŋ , a yiele ŋmeɛbo yeltuuri
A yɛlɛ ama zaa tu ne la a morna yiele gbɛbogiri zaa . A dendeŋ la , chords yelkoree mine naŋ la kpɛ a poɔ.(amine la be a puliŋ kyɛ ). A yeltuuri ama ba e fɛrbo . Yiele maaleba yaga zie , zuo azaa pampana deme , tu la vokpeɛree saama mine poɔ.
Melodic structure[maaleŋ | Maale eŋ yizie]
Rhythmic model of the morna, ± 60 bpm.
The melodic line of the morna varies a lot through the song, with ascending and descending note sequences, and within a bar the notes generally do not have the same length. One frequent characteristic of the morna is the syncopation, more precisely, one note at the end of a bar is extended to the strong beat of the next bar. The melody is accentuated on the first beat and the last half-beat of the bar.