Kui

music genre
Subclass of	Turkic-Mongolic music, Kazakh folk music
Country of origin	Kazakhstan
Intangible cultural heritage status	Representative List of the Intangible Cultural Heritage of Humanity
Described at URL	https://ich.unesco.org/en/RL/00996, https://ich.unesco.org/fr/RL/00996, https://ich.unesco.org/es/RL/00996

Kui e la Kazakh lesiri deɛne ba naŋ taa dombyra Leɛroo A Kazakh lesiri kuis zannoo e bone ba naŋ de yi ba sããkompare kyɛ ba sɛge ka a kpɛ gamma poɔ. Aseŋ , Kazakh folk Kui “aqsaq qulan” (lame onager) ayi a 13th century poɔ kyɛ gɛrɛ . A Kazakh kuis nembɛrɛ a dasaŋa na. Kyɛ ba da piili la a lesiri deɛne ŋa a 19th ane 20th centuries poɔ.A Kui yeltuuri mine da la noɔre yɛlɛ ka ba da maŋ yeli a manne wuli ba lesiri pare ka a kyaane. Ka banaŋ na deɛne a kui yeltare ama,a dẽʋdeɛne kaŋa da maŋ de la wẽɛ a manne wuli a kui pare ka o kyaane nobɔ naŋ be be. Kyɛ saŋa na ba naŋ wa iri a a noɛre mannoo kyaare a kui bare a poɔ, kyɛ ka a kyɛre deɛne ba naŋ maŋ de boŋŋmeɛre mine a deɛne. Kyɛ pampana eŋ nobɔ fii lɛ la kyɛre a naŋ erɛ lɛ .

Dakoroŋ saŋa kuis Leɛroŋ Dombyra kuis da piili ne la dakoroŋ saŋa deme deɛne boma mine ba naŋ maŋ de soŋ ba deɛne. Kazakh deme naŋ taa la yieyieliba nembɛrɛ mine naŋ da maŋ yiele :

Sypyra-Zhyrau (14th century) Qaztugan or Abulqadir (15th century poɔ) Asanqaigy (14th-15th centuries poɔ) Baizhigit (15th-16th centuries poɔ) Kyɛ a yelnimizeɛ zaa kyaare a lesiri da e la a 19th century poɔ. Nobɔ yaga naŋ bebe naŋ piili a kuis:

Qurmangazy Sagyrbai (1823–1889) Mahambet Otemisuly (Utemisov, 1803–1846) Dauletkerei Shygauly (Shygaev, 1821–1875 ) Tattimbet Qazangapuly (Kazangapov, 1817–1862) Abyl Taraquly, (Taraqov, 1820–1892) Esbai (1810–1901) Qazangap (1854–1921) Toqa Shonmanuly (Shonmanov, 1830–1904) ane bamine Pɔge naŋ da yiele ka ba boɔlɔ o Dina Nurpeisqyzy, kyɛ bee Dina Nurpisova (1861–1955) poɔ la ka o meŋ da piili o kui yieloŋ ŋmeɛbo .

A kui leɛroŋ parɛɛ Te taa la kui ba naŋ yipɔge ane kui nobɔ mine meŋ naŋ kuri ka a bebe zenɛ. Aŋ da yeli ka ] folks kuis na de la bambo yi ne nomad deme zie . Boŋso kuishier zaa da maŋ taa la sobie ba naŋ maŋ tu kyɛ e ba yɛlɛ .

A kui Yelnyɔgere ba yitaa. Ayi philosophic te to a wildness of nature. Aseŋ , Dauletkerei's kui, "Zhiger", naŋ wulo faŋa taabo” kyɛ bee

Qazangap 's Kui “Kokil” meŋ naŋ are ko popeɛloŋ ane nimipɛlle”; Osen Tore's Kui, “Ottin Dunie, Kettin Dunie” meŋ wuli ka  “a N bebie parɛɛ la ”. (Qurmangazy's Kui “Toremurat” – naŋ e dɔɔ yuori ;kyɛ ka  Mamen's Kui “Aqsholpan” meŋ e pɔge yuori ; Dina's “Asem Qonyr”). Other kuis are about mother land – vast fields of steppe: Qurmangazy's kui "Sary Arqa" which means “Golden Steppe”; Tattimbet's kui “Sarzhailau” – "Golden Plateau"; Bogda's kui “Zhem Suynyn Tasqyny” means “Flood of the Zhem River”.

A kui parɛɛ mine naŋ kyɛre da are ko la kuishis bee nobo naŋ da yiele kiu. (Qurmangazy's Kui “Aman Bol Sheshem, Aman Bol” means "Take Care, Mama, Take Care"; Tattimbet's Kui “Kokei Kesti”, or internal disturbance; Dina's “Qaraqasqa At” means a dark horse with white spot on its head.

Another group of kuis is dedicated to the birds and animals: folks’ “Bozingen” means white female camel, Telkqonyr-which is the name of a horse; Ashimtai's “Qonyr Qaz” means “Brown Goose”; Sugir's Kui “Aqqu” means “White Wwan”. Nomads expressed the environment of their daily life very thoroughly through kuis.

Kui tradition edit There are two musical types of Kuis; tokpe kuis (prevail in Western Kazakhstan) and shertpe kuis (Eastern, Southern and Central Kazakhstan). Shertpe kui differs from tokpe kui in the sense of the theme, forms, and performance. Western tokpe kuis reflect dramatic events, give very strong aggressive associations. These are composed according to its rules – a certain sequence of tone sets on the Dombyra neck.

Shertpe kuis do not have such rules for composing. They are very melodic and seem to be a soundtrack for songs. They are free in the style and give very deep, gentle and soft associations.

The most prominent composers of tokpe kKuis are Qurmangazy, Dauletkerey, Qazangap, Abyl, Esir, Esbay, Dina, and Seitek. The biggest figure in kui tradition is Qurmangazy from the Western school of kui tradition. He created the biggest hits among kui compositions. Shertpe tradition is represented by Baizhigit, Tattimbet, Toqa, Dairabai, Sugur, Ryzdyq, Abiken, Tolegen and many others.

References External links Last edited 1 month ago by Sammi Brie RELATED ARTICLES Dombra Long-necked musical string instrument

Dina Nurpeisova Kazakh composer (1861–1955)

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