Third Cinema
| Named after | Toward a Third Cinema  |
|---|---|
| Start time | 1960s |
| End time | 1980s |
Third Cinema (Spanish: Tercer Cine) e la Latin American sini maaleba lammo naŋ maale a yuoni1960 poɔ maŋ yele yɛlɛ kyaare ne a gbaŋgbaaloŋ a teŋɛ noba ane a Hollywood sini kaa zie naŋ e nimipɛle yoŋ zie ka ba na nyɛ libie. A laŋgboli noba da maale a manifesto Hacia un tercer cine poɔ (Toward a Third Cinema), naŋ sɛge a 1960s , Argentine naŋ e sini maala Fernando Solanas ane Octavio Getino la da maale o, A noba naŋ poɔ a Grupo Cine Liberación ane gbaŋgbale yiibu a yuoni 1969 a journal Tricontinental a yi OSPAAAL zie (Organization of Solidarity with the People of Asia, Africa and Latin America).[1]
Sini maaleba
[maaleŋ | Maale eŋ yizie]A daga ŋa e la daga naŋ ba e o zaa kyɛ koŋ baŋ biŋ a sini maaleba zaa naŋ de ba bammo bee teɛbo zaa poɔ a Third Cinema poɔ.
| Country | Name | Affiliated with |
|---|---|---|
| Argentina | Fernando Solanas | Grupo Cine Liberación |
| Octavio Getino | ||
| Raymundo Gleyzer | Cine de la Base | |
| Bangladesh | Tareque Masud
Tanvir Mokammel Kamar Ahmad Simon Mostofa Sarwar Farooki |
|
| Brazil | Glauber Rocha | Cinema Nôvo |
| Rogerio Sganzerla | ||
| the Brazilian Modernists | ||
| Nelson Pereira Dos Santos | ||
| Bolivia | Jorge Sanjinés | |
| Colombia | Luis Ospina
Carlos Mayolo |
|
| Cuba | Julio García Espinosa | Cuban revolutionary cinema |
| Tomás Gutiérrez Alea | ||
| Sara Gomez | ||
| India | Satyajit Ray | Parallel Cinema |
| Ritwik Ghatak | ||
| Mrinal Sen | ||
| Gautam Ghosh | ||
| Shyam Benegal | ||
| John Abraham | ||
| G Aravindan | ||
| Adoor Gopalakrishnan | ||
| Lebanon | Heiny Srour | |
| Mauritania | Med Hondo | |
| Mexico | Paul Leduc | |
| Mozambique | Sarah Maldoror | |
| Isabel Noronha | ||
| Camilo de Sousa | ||
| Nicaragua | Helena Solberg Ladd | |
| Pakistan | Jamil Dehlavi | |
| Philippines | Kidlat Tahimik | |
| Senegal | Djibril Diop Mambéty | |
| Ousmane Sembène |
Cinema sini
[maaleŋ | Maale eŋ yizie]- Vidas Secas, Nelson Perreira Dos Santos (Brazil, 1963)
- La Hora de Los Hornos, Fernando Solanas and Octavio Getina (Argentina, 1968)
- Memorias del Subdesarrollo, Thomas Guiterrez Alea, (Cuba, 1968)
- Antonio das Mortes, Glauber Rocha (Brazil, 1969)
- Blood of the Condor, Jorge Sanjines (Bolivia, 1969)
- Mandabi, Ousmane Sembene (Senegal, 1969)
- México, la revolución congelada, Raymond Glevzer (Argentina, 1971)
- The Principal Enemy, Jorge Sanjines (Peru, 1974)
- Towers of Silence, Jamil Dehlavi (Pakistan, 1975)
- The Vampires of Poverty, Luis Ospina and Carlos Mayolo (Colombia, 1978)
Meŋ la nyɛ
[maaleŋ | Maale eŋ yizie]- Political cinema
- Dictator novel, a Latin American contemporary literary genre
- Films depicting Latin American military dictatorships
Nimitɔɔre kannoo
[maaleŋ | Maale eŋ yizie]- Wayne, Mike Political Film:The Dialectics of Third Cinema. Pluto Press, 2001.
- Fernando Solanas and Octavio Getino, "Towards a Third Cinema" in: Movies and Methods. An Anthology, edited by Bill Nichols, Berkeley: University of California Press 1976, pp 44–64
- A